TIFF NEWS
Submited DocuTIFF 2017 » SUBMISSIONS DOCUTIFF 2017 TIFF web 350 films 117 shorts 82 mid-length + 152 feature) FilmFreeWay 2061 films 1333 shorts 351 mid-length + 377 feature) Festhome 206 films 111 shorts 35 mid-length + 60 feature) FilmFestivalLife 92 films 51 shorts 17 mid-length + 24 feature) Click4Festivals 110 films 56 shorts 24 mid-length + 30 feature) Movibeta 89 films 51 shorts 17 mid-length + 21 feature) Distributor 80 films 22 shorts 8 mid-length + 49 feature) _____... SPECIAL PROGRAM » SPECIAL PROGRAM 3rd edition DocuTIFF 2017   PANORAMA 1. André Villers, a Lifetime in Images by Marketa Tomanova | 2015 | Czech Republic, France | 62' 2. Born of Stone by Emilio Bellu | 2016 | Italy, Czech Republic | 15' 3. Cab Elvis by Andrew Franks | 2016 | USA | 11' 4. Korida by Siniša Vidović | 2016 | Austria | 87' 5. Offshore by Werner Schweizer | 2016 | Switzerland | 102' 6. Operation Wedding by Anat Zalmanson-Kuznetsov | 2016 | Israel | 62' 7. The Most Important Boy in the Wor... OFFICIAL SELECTION DocuTIFF 2017 » OFFICIAL SELECTION 3rd edition DocuTIFF 2017     FEATURE 1. Next Stop-Utopia by Apostolos Karakasis | 2016 | Greece | 91' 2. Pavlensky – Man and Might by Irene Langemann | 2016 | Germany | 99' 3. Radio Kobani by Reber Dosky | 2016 | Netherlands | 72' 4. Shingal, Where Are You? by Angelos Rallis | 2016 | Greece, Belgium | 103' 5. Stranger in Paradise by Guido Hendrikx | 2016 | Netherlands | 72' 6. Swagger by Olivier Babinet | 2016 | France | 85' 7. Tempestad by Tatiana Huezo | 2016 |... FESTIVAL RULES & REGULATIONS DocuTIFF 2017 » Entries of documentary films are invited to take part in competition in all formats of video and digital. All running times, topics, style and production technologies can be submitted. The director/producer with the submission of his/her application accepts the terms of the Festival and has no objection to the submission process, screening, and election of prizes. The director/producer with the submission of the film affirms that he/she has all the copyrights of audio, video, images and music ... DocuTIFF 2017 » 3rd edition DocuTIFF 2017 TIRANA INTERNATIONAL DOCUMENTARY FILM FESTIVAL DocuTIFF is exited inviting filmmakers to submit their films in the third edition of 2017 festival, which will take place in Tirana, May, 10-17, 2017. DocuTIFF invites all documentaries from established and debut filmmakers alike to apply their feature, mid length and short films in International Competition and In Albanian Competition. DocuTIFF aims to encouraging documentary film production in Albania and to give... Awards Docutiff »   FEATURE JURY composed by Rada Šešic (Croatia), Agostino Ferrente (Italy) and Nikola Vukcevic (Montenegro) awards:   BEST FEATURE FILM Tempestad by Tatiana Huezo | 2016 | Mexico | 105'   The director who takes the audience on a contemplative and cinematically superb, poetic journey of exploring fear, corruption, social injustice and above all - the human strength to deal with and overcome misfortune of someone's destiny.   Regjisori, i cili e çon audiencën në një udhëtim kinematogr...
Sunday, 23 July 2017
WOMEN TO WOMEN

The Centro de Capacitación Cnematográfica was founded in 1975 with the objective to up bring professional filmmakers with an artistic and technical proficiency. It is a school where its academic affairs, production works and cultural extension simultaneously converge. From its beginning, The Center was fashioned as a filmmaking school where –in the entire sense of the word-, would work under the premise of merging image into movement, and engage all the other artistic expressions and manifestations. The CCC also holds an important archive of bibliographic and film material, which includes historical to newly fresh work that is constantly participating in national and international festivals and encounters.

The CCC is a member of the CILECT (Centre International de Liaison des Ecoles de Cinéma et de Televisión), and of the Asociación Internacional de Escuelas de Cine y Televisión.; it has impelled and interacted in multiple joint projects with other filmmaking schools in Mexico and other parts of the World. Re known as an avant-garde filmmaking teaching center, the CCC has been acknowledged with the academic excellency award at the Cinema Schools Festival of Tel Aviv in Israel in 2005, and in 2006, with the Ariel de Oro, for its 30 years of academic achievements and contributions to the national filmmaking labor. The CCC has shed more than 30 generations, from which many of its members have obtained altogether, more that a hundred national and international awards. For instance, two of them received the Students Oscar: Javier Bourges, with the title. El último fin de año, and Rodrigo Plá with El ojo en la nuca. Also, two Palme d’Or dedicated to Mexico, one in 1994 given to Carlos Carrera for his short El héroe, and the other, in 2006, by Elisa Miller, the first Mexican female to win a Palme d’ Or, with the short Ver llover.

On the other hand, every two years the Center organizes the Festival Internacional de Escuelas de Cine –the international festival of filmmaking schools-, and the Encuentro Internacional de Documental -the international documentary encounter- , which enable a close interaction with groups of filmmakers with a worldwide recognition.

In 2009, Marco Antonio Hernández, member of the Postproduction team of the CCC was awarded an Ariel for best sound in the Desierto Adentro movie, directed by Rodrigo Plá, also a former student of the CCC. Yulene Olaizola won an Ariel for best Opera Prima (as first time director) with the documentary Intimidades de Sakespeare y Victor Hugo. To Isabel Muñoz Cota, an Ariel for best short documental titled Su mercé, among many others in the bearing of the CCC history.

Our alumnae are sound filmmakers, and our school has a solid prestige and recognition; they are fundamental pieces in the task of the Mexican film-making. The CCC is also greatly rewarded with the professional level of an active teaching team and acknowledged filmmakers such as: Francisco Athié, Sigfrido Barjau, Carlos Bolado, Christiane Burkhard, Simón Bross, Carlos Carrera, Felipe Cazals, Nicolás Echeverría, Luis Estrada, Jorge Fons, José Luis García Agraz, Guillermo Granillo, Henner Hofmann, Alfredo Joskowicz, Toni Khun, Beatriz Novaro, María Novaro, Ignacio Ortiz, Marina Stavenhagen.



SPRING
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Tania CLAUDIA CASTILLO

Fiction | México | 2014 | 18’

 

Elba is an introverted and lonely fourteen-year-old teenager. She lives with Fernanda, her older sister who she has a conflictive relationship with, and her mother, who is absent most of the time. Fernanda decides to runaway from home.

 
Oak Leaves
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Paulina ROSAS

Fiction | México | 2015 | 30’

 

Hanna’s german father passed away recently and she discovers many letters coming from Berlin. Determinated to discover who is the sender, Hanna takes a journey to Germany through which she discovers who are the residents of that house and how related are with her.

 
LACUNAS
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Laura BAUMEISTER

Fiction | México | 2014 | 14’

 

Lucy, a teenager who loves spending time on her grandmother’s house, discovers a family secret that will demand of her to grow up abruptly.

 
CLEAN SEX
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María CONCHITA DÍAZ

Fiction | México | 2015 | 13’

 

Mariana has an obsessive cleaning habit. Aſter starting a troubled relationship with Enrique she must accept that sex is dirty and impulsive.

 
400 bags
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Fernanda VALADEZ

Fiction | México | 2014 | 22’

 

Magdalena makes a journey to find her missing son, who disappeared on his way to the border with the United States. Accompanied only by her will and her memories, Magdalena enters a violent and desolated territory, the migration route in Mexico.

 


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