TIFF NEWS
Submited DocuTIFF 2017 » SUBMISSIONS DOCUTIFF 2017 TIFF web 350 films 117 shorts 82 mid-length + 152 feature) FilmFreeWay 2061 films 1333 shorts 351 mid-length + 377 feature) Festhome 206 films 111 shorts 35 mid-length + 60 feature) FilmFestivalLife 92 films 51 shorts 17 mid-length + 24 feature) Click4Festivals 110 films 56 shorts 24 mid-length + 30 feature) Movibeta 89 films 51 shorts 17 mid-length + 21 feature) Distributor 80 films 22 shorts 8 mid-length + 49 feature) _____... SPECIAL PROGRAM » SPECIAL PROGRAM 3rd edition DocuTIFF 2017   PANORAMA 1. André Villers, a Lifetime in Images by Marketa Tomanova | 2015 | Czech Republic, France | 62' 2. Born of Stone by Emilio Bellu | 2016 | Italy, Czech Republic | 15' 3. Cab Elvis by Andrew Franks | 2016 | USA | 11' 4. Korida by Siniša Vidović | 2016 | Austria | 87' 5. Offshore by Werner Schweizer | 2016 | Switzerland | 102' 6. Operation Wedding by Anat Zalmanson-Kuznetsov | 2016 | Israel | 62' 7. The Most Important Boy in the Wor... OFFICIAL SELECTION DocuTIFF 2017 » OFFICIAL SELECTION 3rd edition DocuTIFF 2017     FEATURE 1. Next Stop-Utopia by Apostolos Karakasis | 2016 | Greece | 91' 2. Pavlensky – Man and Might by Irene Langemann | 2016 | Germany | 99' 3. Radio Kobani by Reber Dosky | 2016 | Netherlands | 72' 4. Shingal, Where Are You? by Angelos Rallis | 2016 | Greece, Belgium | 103' 5. Stranger in Paradise by Guido Hendrikx | 2016 | Netherlands | 72' 6. Swagger by Olivier Babinet | 2016 | France | 85' 7. Tempestad by Tatiana Huezo | 2016 |... FESTIVAL RULES & REGULATIONS DocuTIFF 2017 » Entries of documentary films are invited to take part in competition in all formats of video and digital. All running times, topics, style and production technologies can be submitted. The director/producer with the submission of his/her application accepts the terms of the Festival and has no objection to the submission process, screening, and election of prizes. The director/producer with the submission of the film affirms that he/she has all the copyrights of audio, video, images and music ... DocuTIFF 2017 » 3rd edition DocuTIFF 2017 TIRANA INTERNATIONAL DOCUMENTARY FILM FESTIVAL DocuTIFF is exited inviting filmmakers to submit their films in the third edition of 2017 festival, which will take place in Tirana, May, 10-17, 2017. DocuTIFF invites all documentaries from established and debut filmmakers alike to apply their feature, mid length and short films in International Competition and In Albanian Competition. DocuTIFF aims to encouraging documentary film production in Albania and to give... Awards Docutiff »   FEATURE JURY composed by Rada Šešic (Croatia), Agostino Ferrente (Italy) and Nikola Vukcevic (Montenegro) awards:   BEST FEATURE FILM Tempestad by Tatiana Huezo | 2016 | Mexico | 105'   The director who takes the audience on a contemplative and cinematically superb, poetic journey of exploring fear, corruption, social injustice and above all - the human strength to deal with and overcome misfortune of someone's destiny.   Regjisori, i cili e çon audiencën në një udhëtim kinematogr...
Friday, 23 June 2017
WORKSHOP / SEMINAR
Workshops and seminars
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WORKSHOP / SEMINAR / ROUND TABLE

11th Edition of TIFF 2013

Workshops and seminars will continue to be an integral part of this edition:

- MAKING MOVIES seminar held by Katriel Schory, President of Israel Film Fund


- COLLABORATION BETWEEN NEW CINEMATOGRAPHERS AND THE VALUE OF CO-PRODUCTION by Ben Gibson, director of London Film School


- FILM MARKET & DISTRIBUTION seminar by Esther Cabero, coordinator of KIMUAK


- THE FUTURE OF FILM FESTIVALS AND NEW CHALLENGIES – round table by Esther Cabero, Antonello Novellino, Víctor Manuel Muñoz García, Sergio Stagno, Arben Zharku, Elektra Venaki, Fabrizio Ferrari, Vjosa Berisha.


- THE DIACHRONIC EVOLUTION OF SOCIAL LIFE THROUGH CINEMA - Workshop based on illustrations and analysis of Kinostudio "New Albania" movies.

Directed by Ph.D. Julian BEJKO, Dept. of Sociology, University of Tirana.

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Julian BEJKO workshop
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THE DIACHRONIC EVOLUTION OF SOCIAL LIFE THROUGH CINEMA
Workshop based on illustrations and analysis of Kinostudio "New Albania" movies

Directed by Ph.D. Julian BEJKO,
Dept. of Sociology, University of Tirana



October 24:
CONCERT IN THE YEAR ’36 (1978) by Saimir Kumbaro

- The concert as aestheticization of the voiceless. To camouflage the bad weeds, they must be root out and marginalized, getting outside the official canvas of permissible. The ugly and the blemish vanish in the internal camp of unpresentable unwell weeds.   


October 25:
THE HISTORIAN AND THE CHAMELEONS (1989) by Saimir Kumbaro

-  The ambiguity of the aestheticization of success. The creation of the façade and objects, of what is around and behind, but which is stumbled by the body, gestures, movement of the actor, is in other terms, a creation of a world.  


October 26:
GENERAL GRAMOPHONE (1978) by Viktor Gjika

-    What happens to the culture and para-modern people, placed in the violent intersection of capitalism and dictatorship? 


October 27:
THE EMPEROR’S BED (1973) by Endri Keko

-    The shepherd’s adventures in Wonderland. The royal courtyard is currently in the hands of the shepherd and must be redone and revised as a central power for a new State, to a new absolutism which is ready to born there and elsewhere.  


October 28:
THE COMMISSAR OF ENLIGHTENMENT (1966) by Dhimitër Anagnosti & Viktor Gjika

-    A common Christ. The year 1966 is not the arrival of devil on earth. It’s the birth of a new religion, of a teacher who broke the walls of his hut, this miserable place to give light and knowledge of a new generation.


October 29:
THE PATRIARCH (1972) by Fehmi Hoshafi & Muharrem Fejzo

-    Nevrosis and suicide. The old patriarch requires a restful substance, his pipe to smoke. After that, he puts his head to the washbasin just to diminish his psychic temperature. The ambulance car is after him to help the poor old man which is getting mad. The city is a neurotic accelerator, the foundation for psychic troubles, normative turbulence, and heterogeneity of social relationships, a circus and a spectacle of socialist progress.


October 30:
WHITE PATHS (1974) by Viktor Gjika

-    Surreal absurdity of work. It’s the simple man, the poor and the miserable, the one who is martyrized. The proclaimed welfare of the worker and peasant is isolated in the loneliness of a nonsense world. The workman communicates with the nature, the storm and snow, a Sisyphus which produces new human conditions.

 

 

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